Friday, August 14, 2009

FRAGMENTS

Friday 14 August '09

FRAGMENTS aka WINGED CREATURES (2008)―On an ordinary day, in ordinary suburbia, in an ordinary diner, tragedy strikes with the same awful inexplicable suddenness of real-life. Five ordinary people, their lives forever changed when an ordinary man walks into the diner. An exiting customer unwittingly holds the door for him―pleasantries are exchanged—but this man is anything but ordinary, he is a deranged gunman, without motive, without warning he randomly opens fire on the patrons. In an instant, the perfectly ordinary day is transformed into something extraordinary. This is the story of five people, five different lives inexplicably intertwined, forever changed by the slimmest of margins, by the cruelest twist of fate. Although the story is held together loosely by the initial central event, the film is quite literally fragmented, too little story; unequal screen time is devoted to each character. There is negligible character introduction, apart from a brief shot of Anne Hagen riding in a car; this makes it difficult for the audience to connect with the characters. Out of all the tragic stories, I found young Anne’s (Dakota Fanning) the most dramatic. Losing her father in a random act of violence, the teenager has an epiphany as she turns her suffering over to god; Anne speaks to god, she proselytized with an evangelical religious zeal of her father’s heroic bravery. The truth however is far more tragic and lies bottled up inside of her. Dakota Fanning’s transition from child to young adult actress is well under way, with no foreseeable stumbles in the road. Dakota continues to demonstrate her mastery of her craft in the way she handles this particularly tricky performance. The waitress, (Kate Beckinsale) reaction is the most realistic; Carla is a single mother who waits tables, who is too young and too pretty to be tied down by a constantly crying baby. Carla has various sexual liaisons with men as she neglects her baby. Esurient Carla eventually uses the baby as a flimsy excuse to make romantic overtures to Doctor Bruce. Unfortunately, for Carla, the doctor has troubles of his own and he is disinterested. On performance, Beckinsale's role is so commonplace that on the surface it offers little challenge. This makes her portrayal of the stressed-out mother even more convincing. Poor Jimmy (Josh Hutcherson), Anne’s friend is consumed by his own domestic problems. Introverted and timid, he has a brother in a coma from action in the Iran War and his parents simply don’t understand him. He suffers probably the worse trauma as he has a gun pointed at his head as he and Anne cower under the table. What’s most poignant is when he desperately reaches out to Anne for friendship, whereas Anne in the grips of a religious fervor rebuffs him and instead calls upon him to witness her father’s heroic bravery. Jimmy alone knows the truth . . . The true hero in this drama is Charlie, an unassuming driving school instructor (Forest Whitaker) who stands up and distracts the gunman, by all accounts he should have been fatally shot, but he escapes with just a scratch. Believing that luck is on his side, he launches into a desperate stint of compulsive gambling, falls in with loan sharks, and descends into a death spiral of yet even more frantic gambling. All the while, his daughter (Jennifer Hudson) is frantically searching for him. While Charlie’s story is not intended to provide comical relief or balance, it is comparatively lighter, and comes with a twist. Doctor Bruce’s (Guy Pearce) situation is the most complex. By sheer happenstance, he exits the diner after buying a cup of coffee seconds before the shooting occurs. He even holds the door for the murderer, offering a pleasant “good morning.” His subsequent failure to save one of the victims sent to his hospital devastates him. Dr. Bruce finds himself troubled by his inability to save lives even though his colleague tells him that they are mere doctors not God. To compensate for his feeling of insecurity, he launches into a quixotic questionable treatment regiment for his wife’s migraines that causes more problems than it solves. These are the questions acclaimed Australian director Rowan Woods attempts to answer in this engaging but ultimately unsatisfied Crash-style ensemble drama FRAGMENTS. “Winged Creatures” is indeed a bird that fails to fly―not quite a turkey, however, considering the prodigious talent involved this unfortunate movie never manages to soar above your average Lifetime drama.

FRAGMENTS (2008) ** ½


Friday, August 07, 2009

Dakota at Santa Monica Pier

Friday 07 August '09
Dakota Fanning enjoys a fun day with friends at Santa Monica Pier. Doesn't she look absolutely casual and radiant? I have a special conection with Santa Monica Pier because I've been there.

Tuesday, May 12, 2009

HOUNDDOG


Tuesday May 12, 2009

HOUNDDOG (2007) A Southern Gothic tale set in 1961 Alabama about a troubled girl who finds solace and ultimate redemption in the words and music of Elvis. The film is written and directed by Deborah Kampmeier and stars Dakota Fanning along with Robin Wright Penn, and David Morse. From the opening scene of a fetid, steamy southern swamp slithering with snakes, to its stoic end credits, Hounddog is a movie that is burdened with inscrutable symbolism over wrought characters and a maudlin undeveloped story that is sabotaged by the director’s own self-incriminating retro-editing. This gives the film a hurdy-gurdy jerky unfinished appearance, as if the most salient bits of film lay in huge tatters on the cutting room floor. Hounddog is a movie that is at times difficult to watch, impossible to ignore and ultimately dissatisfying. They say too many cooks spoil the soup, and HD has more producers than you can shake a stick at. The real problem is, after the disastrous reception at Sundance, it’s painfully obvious that director Kampmeier panicked. Like a naughty schoolboy sent to the principal’s office, Kampmeier sought to dispose of the evidence went back in with her scissors and cut out all the offending parts. The result of this reactionary retro-editing is that Kampmeier largely squanders Dakota's last great performance as a child. Going from the fresh face pig-tailed Fern in the family, friendly Charlotte's Web (2006) to a movie featuring child rape is a whiplash-inducing change of pace. Dakota, with her lilting singsong southern voice is such a natural performer she often finds herself in the unenviable position of being better than the material in which she appears. Hounddog is only the most recent example; Dakota easily rises above the vapid script and overwrought performances of David Morse and Piper Laurie.



Llewellyn is a girl in possession of waif-like child innocents, yet she engages in playtime activities that would have caused our poor Fern to blush. Llewellyn spends a great deal of time cavorting about in her underwear. When she isn’t busy flashing her alabaster white legs and skivvy clad tush, Llewellyn plays naughty games like “doctor” with the neighbor boy plying a kiss for a quick look at his willie. Her god-fearing over bearing Granny does her best to keep her on the straight and narrow. "Turn down that devil music!" All to no avail, Llewellyn remains defiant, a white girl who likes black music, she gyrates her hips to the refrains of “Hounddog.” Llewellyn remains seemingly oblivious to her awakening sexuality; like some objectified Bratz doll, we watch her languish in bed, moaning “Hounddog” for the pleasure of the milkman. “What? Lil’ ole me?”
 
Llewellyn is a girl who loves the blues and is obsessed with Elvis. She will sing “Hounddog” into a living room lamp stand at a moment’s notice. While Charlotte Church can rest assured her status as a diva is in no danger of being usurped anytime soon. Dakota does a surprisingly credible job with her singing duties. Dakota is no singer, but at least she doesn’t embarrass herself. When Elvis comes to town, so desperate is Llewellyn to secure a ticket she agrees to dance naked for a much older boy. All this leads to her ultimate downfall. The underlying problem with Hounddog is that’s it’s not a very good movie. Deborah Kampmeier’s fateful decision to cast Dakota Fanning as Llewellyn as apposed to an unknown had far-reaching and unforeseen consequences. While Dakota’s considerable gravitas undoubtedly contributed greatly to getting the project “green-lit.” Her established public persona as cherubic Lucy Dawson proved to be the movies ultimate undoing. Anjelica Huston got away with it because in Bastard out of Carolina (1996) she cast an unknown and she managed to imbue her film with a quiet sense of dignity that HD seems to lack. Note to self: If one decides to make a movie depicting the rape of a child, one doggone well better make sure you are on firm critical, creative and moral ground. Because no one, absolutely no one, wants to watch a movie where sweet innocent pig-tailed Fern is raped.
Hounddog (2007) ** ½

Saturday, May 02, 2009

MOST BEAUTIFUL DAKOTA



Saturday May 2, 2009 DAKOTA FANNING (NEW MOON), age fifteen, was named by PEOPLE MAGAZINE, along with Dev Patel, Emma Watson, and Shawn Johnson as one of the most beautiful people in Hollywood under twenty-one.

Whoo-hoo Dakota! Well, its not as if we needed People Magazine to confirm what we already knew. Dakota, ever since we were first smitten with you at age-8, we always knew you were destined to be beautiful.
Now tell me, honestly, that isn't absolutely jest the cutest little girl you ever did see?

Tuesday, April 07, 2009

WALK FIT with Dakota Fanning

Tuesday April 7, 2009
DAKOTA FANNING—Here is a young woman in possession of an extraordinary social conscience, who really understands the power of her celebrity. No flash, no publicity; she just quietly goes about her business giving of her time and talent to charitable causes which are important to her. Dakota is such a kind and caring person, she reminds us once again why we admire her so much. On Sunday April 5th, Actress Dakota Fanning once again hosted the 10th annual Mattel Children's Hospital UCLA 5k Run/Walk Fit. Registration is open for the tenth annual 5K Run/Walk to benefit Mattel Children's Hospital UCLA. Runners can get started as early as 6 a.m. on Sunday at Wilson Plaza, located at 308 Westwood Plaza on the UCLA campus. For registration details and further information visit. http://www.runwalk.ucla.edu/

Friday, March 20, 2009

"CORALINE" Still draws crowds

Friday March 19, 2009
CORALINE (2009)—The first ever stop-motion animated film to be shot entirely in 3-D, continues to attract moviegoers after more than a month in theatres. With voice-work by Dakota Fanning, CORALINE has earned $70 million to date, enough to lift the Neil Gainman/Henry Selick's dark re-telling of a young girl's "down-the-rabbit-hole" fantasy to No. 6 among the most popular 3-D films of all time.

Saturday, March 07, 2009

Dakota Fanning fronts 'Runaways'

Saturday March 7, 2009

VARIETY (03.04.09)Dakota Fanning is negotiating to play lead singer Cherie Currie in "The Runaways," the biopic of the '70s all-girl rock band that already has TWILIGHT star Kristen Stewart playing Joan Jett. Scripted and directed by Floria Sigismondi, the film begins production in late spring.
At 15, Fanning is the same age Currie was when she made her debut with the Runaways as the lead singer who belted out hard-edged tunes like "Cherry Bomb." Currie became caught up in drugs and a hard-partying lifestyle.
John and Art Linson are producing with River Road Entertainment's Bill Pohland, with Joan Jett serving as executive producer.
Fanning, who most recently starred in THE SECRET LIFE OF BEES and PUSH, and voice-work on CORALINE, is also slated to play a vampire in the "Twilight" sequel NEW MOON.

Friday, February 13, 2009

PUSH

Friday February 13, 2009

PUSH (2009) Directed by Paul Mc Guigan (Lucky Number Slevin), is loud, choppy; the plot is confusing as it is convoluted and ultimately silly. The storyline involves a group of young American ex-pats with telekinetic and clairvoyant abilities who are hiding from a clandestine U.S. government agency “The Division.” They must utilize their different talents and band together for a final job enabling them to escape the agency forever. These clairvoyants and psychokinetic powers are a product of a shadowy past linked to the end days of WWII. Born and bred as the ultimate surveillance weapons these second and third generation psychic empowered humans rebel and are no longer willing to serve their government masters. “They live among us.” So, Dakota Fanning, warns us, once again employed as the consummate archetypal innocent narrator. Fanning plays a “watcher” a thirteen-year-old worldly-wise girl named Cassie Holmes, a clairvoyant who can see the future. With her blond hair streaked with pink, short, short “skorts” and knee-high boots, Fanning resembled a Bratz doll; she’s gone rouge, across the globe. On the run from the shadowy Division, in search of Nick (Chris Evans) and a mysterious suitcase that the Division, represented by the ever-nefarious Djimon Hounsou also seeks. (See, I told you this plot was convoluted, it gets worse) . . . Along the way, the gang picks up Kira, (Camilla Belle) who can plant naughty thoughts in people’s head. All this and there are other psychics with names like “movers,” “shadows,” and “sniffs,” and a whole family of assassins who can shatter glass and do the “scanner” thing on your brain by screaming. If all this wasn’t disconcerting enough we are treated to the spectacle of sweet-innocent Dakota Fanning of fresh faced pig-tailed Fern fame, swear, get drunk and pack heat—in both fist no less. As far as the intoxication scene goes, (the director was careful not to show underage Fanning actually drinking). I thought it was one of Dak’s best scenes; she actually does a convincing job. The scene is especially funny, since after she appeared on the TONIGHT SHOW, Dak assured Leno that, “Absolutely no research went in to doing that scene.” Unfortunately, PUSH will do nothing for Dakota’s career. The film opened to extremely poor reviews and in sixth place . . . not very promising. However, I expect that with Dakota's talent, she will persevere. I do not think I would have enjoyed PUSH at all except for the presents of Dakota. Hong Kong certainly is a beautiful city I liked that part. Overall, PUSH will never rank as one of my favorite Dakota movies.


PUSH (2009) * ½

Sunday, February 08, 2009

CORALINE

Sunday February 7, 2009

CORALINE (2009) is a high-definition stop-motion animated feature, the first to be originally filmed in 3-D, with spectacular CG effects, directed by Henry Selick ("The Nightmare before Christmas"), based on Neil Gaiman’s international best-selling masterful children's horror fantasy. CORALINE is a film that is both visually stunning and wondrously entertaining. Ever since Lewis Carroll first imagined Alice tumbling down a rabbit hole, stories have abound of lonely, imaginative little girls passing through dark, narrow portals into crazy—upside-down often menacing other worlds—but never so fully envisioned in stereoscopic 3-D stop-motion animation.
There is a real need of more films with smart, mischievous young girls. Coraline is a smart, savvy and clever eleven-year-old girl, without being sappy or sickly sweet. She’s the girl next door that we actually might like having living next door. Especially since she’s brave, resourceful and not afraid to confront her darkest fears.
Coraline, (Dakota Fanning) discovers a key and walks through a secret door from her boring new home and discovers an alternate version of her life. On the surface, this parallel reality is eerily similar to her real life—only much better. However, when this wondrously off-kilter, fantastical adventure turns dangerous, and her counterfeit parents (Other Mother voiced by Teri Hatcher) tries to keep her forever, Coraline must count on her resourcefulness, determination, and bravery to get back home—and save her family.
Perhaps a bit dark and gothic to be regarded as a mainstream family film. CORALINE is not for young children, (there are some scary disturbing images), but ultimately CORALINE proves a brilliantly enhance gothic comedy that mingles horror and whimsy into a "family-friendly" version of Gaiman's dark story.
CORALINE (2009) ***½