Saturday, September 29, 2007

TESSA CLAIBORNE

TESSA CLAIBORNE

A

Novel

by Smcallis


This is a work of fiction. No similarities between any person living or dead is intended, and any such similarity is purely coincidental. All characters © 2007 by Smcallis.


For David, (1954-2007)


"Four things greater than all things are, Women and Horses, and Power and War."

―Rudyard Kipling





Chapter 1



ROOTS and CABBAGES



THEY SAY THAT WAR is the purest expression of Nation- hood. I never knew for sure whether that was true or not. What I do know is that I’ve seen war; I’ve seen men stand in line, grim faced, shoulder to shoulder and die in battle. I can only think that there must be a higher calling, a more profound sense of purpose, not to be confused with Nationhood, God or Country that keeps a man standing there, in line shoulder to shoulder with his brother. It is his sense of duty, camaraderie, and his obligation to the man standing next to him that causes a person to stand fast in a firing line amidst the swirl of confusion, black powder and death. I’ve been there, in war, in the thin red line of Red Coats. I know this, I was only thirteen.

I should tell my story. I was born April 20th 1865 in Glamorgan, Wales, to a poor family, in a three room wooden shack tucked in the hills not far from the great coalfields of Cardiff. My Papa, he worked those mines; the hardest purest blackest coal in the world came from Cardiff. In 1865, the world awakened to the great industrial revolution thanks to the invention of Watts and his infernal machine the steam engine, and the colonies, and their cotton and Ely Whitney and his gin. All the industrial might of the empire was hungry for black coal to feed the factories, furnaces, and the steam ships that brought raw goods from far away places in the Americas, India and China.

In America, the great Civil war was drawing to a close. General Robert E. Lee had surrendered the Army of Northern Virginia at Appomattox and their President Lincoln was assassinated. My Papa, First Sergeant Robert Chard Claiborne, fought at Balaclava, in the Crimea, the 24th Regiment of Foot under Lieutenant-Colonel James Webster. You might remember the battle of Balaclava, from a poem by Alfred Lord Tennyson and the Charge of the Light Brigade. Well, I can tell you second hand that on that December day there were plenty of cannon, to the right, to the left and everywhere else. A fragment from a cannon ball took out Papa’s left eye. All this happened in 1854. Papa drew a military pension of two shillings nine pence a month; this was never enough to feed his family, by the time I was born, sixth of what was later to be nine children Papa took a job, the only job a man could do in Glamorganshire, laboring deep in the bowels of the coalmines of Cardiff.




I can still remember Papa coming home at night, his face black with coal dust, like minstrel player. The wick of his candle flame on his felt hat still burning. He was hungry and tired, but he always had time for his family. Papa told stories, he often told stories of battle at Belaclava, and that fateful day when the Light Brigade charged. His 1853 Enfield rifled musket still hung over the door way. I only saw him fire it once, at a stray dog. It misfired.

I was baptized Theresa Elizabeth, but at home, I was never called Theresa, I was always called Tessa. Oh, my was I called. I was the only girl imagine that! I had quite the rough and tumble life growing up with eight brothers and no sisters, in the shantytowns at the foothills of the coal mines. I don’t think I even knew I was a girl until I was ten going on eleven. With five older brothers, all took their place in the mines, and three younger brothers, as the only girl, in a family of nine, it fell to me to do all the cleaning, the washing-up, make the beds, sweep the floor and help Mama with the laundry and keep the fire in the hearth.

Woman’s work, I hated it. I was every bit as strong as any boy in the county, I could run, climb, spit, every bit as well as any boy, but because I had a cunny, I was branded a girl, I was relegated to wash’n up work. I was a servant, and I didn’t like it one bit. There wasn’t a lot of opportunity to go to school, growing up amidst the shacks and shantytowns in the middle decades of the 19th century. Papa did encourage all of us to learn to read, and he let us go to winter term when there wasn’t so much work on the farm. It was a five-mile walk; I had to carry the dinner pail because I was the girl.

I don’t think we really knew how poor we were. We never wore shoes from May to October. I don’t think I ever had a new pair of shoes in my whole life, (not at least until I joined the army, but that’s the rest of our story). Thomas, my brother . . . of course he was my brother, I only had brothers! Thomas was a year and five months older than I was, his shoes always fit. When he out grew his, they came to me. Boy’s shoes, boy pants, boy shirts. As I said, I don’t think I even knew the difference between boys and girls until I turned eleven.

Life on a hardscrabble shanty farm was work. It wasn’t as if we went hungry, at least not most of the time. We raised vegetables in the garden, there was “Worthless” the old dairy cow, we had butter and cream. Papa, he always kept a few sheep. Papa’s sheep that was probably the one great joy in my life, the sheep, how I loved to go to the pasture lay on my back in the sweet smelling grass and dream. I played there with the sheep and my dog Jack, broad in the chest, with a bright fox face, short legs and no tail, there was never a dog like Jack. How Jack could heard those sheep. Sometimes there was mutton on Sunday when the Vicar came to dinner. During the rest of the week, there was cabbage. Always Cabbage, rutabagas and leeks, I think I must have turned mostly green by the time of my ninth birthday from all the cabbages I ate. Papa worked hard in the mines and gave Mama every penny, well not exactly every pence, Papa did like to share a pint or two at the pub, but Mama never grudged him.


We kids, we worked hard. One of our main jobs, the little kids, of which I was the oldest, was to hunt along the harbor way collecting any stray bits of rope and twine. In the mid-nineteenth century, all ships used hemp for rigging, when it got wet or worn; it was discarded often in the most casual way. Twisted bits of old hemp rope may not seem very valuable, but it was gold to us. I should tell you that picking oakum is very tedious work and hard on the fingers, my fingers got so stiff and sore, I used to cry, from the long hours spent unraveling those tough hemp ropes down to base fibers. It was hard work for very little money. A buyer in Cardiff paid two and quarter pence a pound for clean rope fiber.



Sometimes when the weather was fair, more often when it was wet and rainy. I took my brothers and we walked along the railroad tracks to pick up coal. It may seem funny, with Papa being a coal miner; we never seemed to have coal for our own stove. I knew how to find coal. The railroads, were so wasteful, if a little coal spilled out as the trains made the sharp bend at Tresimwn, nobody seemed to care. This became our family's main source of coal. My brothers and I could walk the rail bed and pick up half a peck of coal; if we got an early start, we walked half way to Cowbridge and back. At least then we knew we’d have a hot supper. More boiled cabbage.

By 1874, things in Glamorganshire went from bad to worse. By that time my three younger brothers were born. More mouths to feed, my two middle brothers, Wallace and Dewey were killed in a mine collapse. By this time, Papa couldn’t work anymore; he was laid up in bed, dying of what we called back then the consumption. Later, I read in America they called it the “black lung disease.” Papa died in 1875.

That was the year Mr. Squeers came ‘round. Mr. Wallace Squeers of Wallace Squeers, Pierce, Fenner and Smith Esq., in his black coat and tall top hat, his long sharp whip, Squeers came thundering into Glamorgan in a fine lacquered buggy and matching chestnut driving horses. Mr. Squeers, he came around to all the villages and towns of Cardiff offering money to families with young girls. Mr. Squeers told Mama that there was work; work in the great mills in London, textile mills that needed young girls, Mr. Squeers said he could offer her five pounds, and the promise of five shillings a month for young nimble fingers.


Everything about Mr. Squeers was oily and black. Compared to him, I was a dirty disheveled little nothing. I knew something was up, and it was no good. At first, I don’t think he knew for sure whether I was a boy or a girl. He examined me as if he was buying a horse, looking at my teeth, while he talked to Mama; his sneaky hand stole a quick feel under my shirt.


“She seems very skinny, will she work?” Squeers ask, he shoved the saucer further away with a disdainful air. My face burned hot, I knew there was only a little tea left in the tin, and tea was such a luxury! Mama offered Mr. Squeers tea in her best china, the tea sat untouched. He sat there haggling as if I were a stack of chord wood, he puffed on a ten-penny cigar, while great aromatic plumes of smoke circled the room, his mustache quivered.


I coughed, Jack growled.


“She’s strong as a French pony.” My mother assured him; she twisted my ear and shoved me forward.

“Four pounds, five shillings, that’s my best offer.”

Four pounds, nine shillings, that was the final selling price. That was how it was in 1875, ten years after the great Civil war in the Americas, I, a ten-year-old girl, going on eleven, a sovereign subject of the crown, was sold into indentured servitude to a Mr. Squeers of London, a Mr. Squeers of the Great Quadrangle Mercantile and Shirtwaist factory of London.

Tuesday, September 25, 2007

Hudson Directs Dakota in Short Film



NEW YORK (AP) — Kate Hudson went behind the camera for "Cutlass," one of Glamour magazine's "Reel Moments" short films based on readers' personal essays.
The goal of the competition, now in its third year, is to empower women by producing female-friendly short films and creating opportunities for actresses to direct. This year, the assignment was to capture the essence of happiness, the magazine said Monday.
The contest began earlier this year with stories submitted to Glamour. The magazine narrowed down readers' submissions and asked Hudson, Kirsten Dunst and Rita Wilson to choose their favorites.
Hudson, 28, selected "Cutlass," a generational tale about family and tradition. The short film co-stars Kurt Russell, Dakota Fanning, Virginia Madsen, Chevy Chase and Kristen Stewart.
Dunst, 25, cast Winona Ryder in "Welcome," a modern-day ghost story, and Wilson, 50, directed "The Trap," starring Jeanne Tripplehorn as a woman who finds happiness in trying something new.
The films will premiere Oct. 9 in Los Angeles. They will be screened Oct. 13 in the hometowns of the Glamour readers whose stories are told on-screen. The films will also be available on Glamour's Web site.






Saturday, September 15, 2007

RUFF STUFF

RUFF STUFF

A
Novel
by
smcallis
This is a work of fiction. No similarity between any person living or dead is intended, and any such similarity is purely coincidental. All characters © 1992 by smcallis
Chapter 16 NOT GIANTS, BUT WINDMILLS. “Lea, what will we do now?” Lea sat emotionally spent. Ivan was dead; Lea shot him through the head, the Russian’s brains now redecorated the south stairwell wall. The other Russian, the fat one, Boris, he was dead; half his head lay ripped from his body. Lea was alone. Her friend, her confidant, Guy Painter, he was somewhere down stairs, a billionaire industrialist, was now the enemy. Lea lay crippled, busted up, exhausted on the sixth floor of the Henry B. Horner building. Lea opened her eyes, surrounding by children. The deaf child, Luka, her sister Shaila, and two other children, Kayla, she was four and Shontrell, the only boy was six. The children stood around her, they pressed against her, and presented her with the Ruger―as if it was some mythical exalted weapon like Excalibur. Lea flipped opens the cylinder and shook her head. The weapon was empty, useless there were no more bullets. It wasn’t supposed to be like this. She never signed up to be the Pied Piper of Hamelin. Now these children looked to her for protection, they regarded her as some kind of Paladin, a guardian angel, a knight in shining armor come to rescue them. Lea was none of those things. It was Luka, dear precious brave Luka. It was Luka who pressed into her hand Grandfather’s pistol. The very same M11911A1 .45 caliber pistol that Grandfather had used at Stalingrad, Nuremburg, La Spezia, Berlin. At first Lea didn’t believe it―the pistol Lea had left behind in room 629―The refrigerator death room. How Luka, a small little deaf child possessed the courage, the bravery, the intestinal fortitude to re-enter that terrible room, a room where two men already lay dead. How one little girl posses the foresight to enter a room where men sought to suffocated and profit, all for sixteen numbers savagely tattooed on her leg. How one small girl, a brave little cracker girl, could enter such a room, retrieve Grandfather’s gun―A weapon even unto itself, carried a heavy burden, an imamate instrument of monstrous murder and death. Lea wasn’t even sure she possessed such courage. The truth was, Luka was one brave little girl. Grandpa Doc said so himself, “I could teach you to shoot, one day Frauline.” Luka did not associate the decades of murder and death wrought by the pistol. She only knew the happy times, the days spent in Grandpa Doc’s apartment. It was her Grandfather’s gun. The Colt, the M1A1 .45 caliber auto pistol, clad in the finest .99 silver, engraved with all manner of fantastic Aztec pictographs. Lea sat on the floor, surrounded by four children. She held in her hand her Grandfather’s pistol. Shaila fetched a bed sheet, for now, her broken arm was temporarily bound to her side. Four desperate children, seven bullets, and Guy Painter waited down stairs. “Let’s get this thing done.” For the first time in her life, Lea pulled back the slide on her Grandfather’s pistol. It was a religious experience, the weapon actuated with a smooth precision that belied its fifty-year age. There never was such a gun, her Grandfather’s gun. “Now I am become death, the destroyer of worlds.” Lea descended the stairs, entered the foyer and stepped out into the courtyard of the Henry B. Horner building. She wasn’t particularly afraid of Guy. Guy wasn’t what you might call a real gangster; he was a consummate corporate kind of person. He let other people do his dirty work. Lea had done his dirty work for years. Without his Russians, Lea half expected Guy to flee the scene, yet the limousine sat there parked, intransigent. Guy wanted that money; he wasn’t willing to give up so easily, twenty million dollars was a lot of money . . . What bothered Lea the most―what Lea wasn’t quite sure she could do, was kill Guy. Guy was her friend, for the past ten years Guy had been her confidant, a mentor. She wasn’t quite sure if when the time came, she could kill Guy, even after his betrayal, even after all he had done. Lea stepped out into the open. “Guy Painter! I have come for you.” Disheveled, with her blonde hair matted in blood, her right arm bound to her chest in a bed sheet, Lea Swift struck a less than a menacing pose. “Lea!” Guy appeared in the distance, more than seventy-five yards separated them. His Russian goons were dead. Guy had enough horse sense to know that if Lea appeared, his goons were dead. His driver fled after the first shots. Guy was alone, facing the one person in the entire world he least wanted to confront . . . next to that Nazi bastard, Lea Swift was the most dangerous person he knew. Guy was not a tough person; he was not a gunman or a thug. He understood business; he was a billionaire, a corporate financer. Guy hired people like Lea Swift, people to do his dirty work. Now he found himself confronted by his very creation, a consummate gunfighter, wounded, but still very dangerous. His .32 caliber AMT automatic felt very small and inadequate in his pocket, but it was all he had, and all that stood between himself and Lea Swift. His spirits were buoyed somewhat when he observed Lea’s arm bound close to her chest. “The bitch is wounded.” This gave him the only opening he needed. “Lea, we can talk this thing out. This was all a big misunderstanding, Boris, Ivan, those fucking Cossacks, language barrier. Thank God you’re all right!” Guy caught sight of the four brown-faced cracker children hiding in the shadows of the foyer. “Oh―Children, if it’s the children you’re worried about. We can take care of the children . . . education, housing, consider it done. I just need one little thing from you Lea . . . One of the children . . .” Guy saw the gun, a silver gun. Lea continued to advance. She raised her Grandfather’s pistol. “Lea! You don’t understand, we can work this out . . . the hospital, you said you wanted to go to the hospital.” Lea shot Guy Painter at seventy-five yards.
* * *
GRAVEL CRUNCHED UNDERNEATH LEA SWIFT’S FEET. She advanced towards the fallen Guy Painter. Guy lay writhing on the asphalt of the playground of the Henry B. Horner Projects. Shot through the knee, the pants of his 8000-dollar Amari suit was torn and bloodied. Just to be sure, Lea had not missed, she shot to maim. Guy struck a pathetic figure. Crumpled on the ground, his left leg twisted at such a grotesque angle. The .45 caliber bullet had pierced his kneecap and blow off his patella. Whether he would ever walk again was less open for speculation as to whether he would live ten more seconds. An angry Lea Swift continued to advance towards her fallen foe. Gun smoke curled from the silver pistol of her grandfather’s gun like an angry dragon. Lea stood over Guy. He was a spent and defeated man. The billionaire investment banker stared straight into bore of the .45 caliber silver pistol. “I should fucking kill you now, right where you are.” “Lea, please.” Guy said weakly. “Tell me now, muthafucker, tell me why I shouldn’t just fuck’n kill you? I fucking loved you. You were my best friend Guy.” “Lea, we can work this out, I’ll pay you . . .” “You fuck faced Irish prick!” Lea kicked Guy so hard in the ribs he rolled over and groaned. “You think I want your money? Your dirty money? That little girl back there, how the hell are you going to pay her back? You molested her, you abused her, you and your fuck-faced goons tried to suffocate her! No, you’re going to jail my friend. You’re going to sit a long time in Jackson with a soap-on-a-rope . . . kidnapping, drug running, international money laundering, not to mention murder for profit, murder for hire.” Lea signaled back toward to foyer. Shaila brought Lea’s combat webbing. Lea decided she liked Shaila―Note to self―in five more years, hire Shaila. “Cuff him, squeeze ‘em tight, make sure you hurt him.” It was then Guy made his move, the last move of a pathetic and defeated man. He reached for his pistol. His intent was to take the slim black girl hostage. Lea was ready for him, she anticipated his treachery. She already knew exactly how and where she was going to hurt him. Two more bullets, two more .45 caliber slugs tore into Guy’s body. Lea did not intend to give Guy the satisfaction of a martyr death. No, this was kneecapping of the first order. The first bullet shattered his jaw; the second took off the first three fingers of his right hand. Guy was alive; he was fucked-up, but still alive. “That ought to shut you up! Cuff him, Shaila, we’re done here.” It was Noah, Noah Washington who wrestled Guy to his feet and did the actual cuffing. “Mr. Forrest, he called me, he said you might be in some kind of trouble . . .” A lasting relief came over Lea’s face. “Take me home, Noah.” It was over.
EPILOGUE
ALL DURING THE LONG DRIVE BACK from the hospital, the city lights of Detroit sparkled in the night sky. Lea Swift lay curled up with her head cradled in Brad’s lap. Noah drove on, silently. Lea lay curled up on Brad’s lap. Was she a sleep? “Lea?” “Mmm?” “Lea Marie . . . did I ever tell you I loved you?” “Hundreds of times.” “Will you marry me?” Lea smiled coyly, “I love you too darling, after all, we do have a ready made family . . . can we go home now?” The four children slept in the back seat. Lea too fell fast asleep.
FIN